Monday, June 17, 2013

Fatherhood as captured by my Mother

greece.1978

Southern Greece, 1978

I wonder how she sees us now. Maybe just the same.  I've never thought of her perspective as the photographer before.  But her viewpoint seems so obvious .... and loving and perfect and heartbreaking as I realize it.  No one else could have taken this, just like this.  I'm the round faced one packed in between my brother and sister.

Hoping you all enjoyed your Fathers yesterday! My Dad and Jeff really liked their present this year. With no time for shopping, one little human was all I could manage for them to share.

lots of love, xoxoxoAM



Wednesday, June 12, 2013

Mother Goose Quilt

mother.goose.by.AMH

Anna's newest free quilt pattern is an oversized flying geese motif called the Mother Goose Quilt.  It uses all of the Field Study Linens along with the new Linen Solids that coordinate beautifully with the collection.  This is a simple to sew quilt that uses a no-waste method and has endless possibilities. Be sure to visit the MAKE page to download the PDF! 

Have fun! - Pierrette

Sunday, June 09, 2013

Our Baby Girl

mary.anna.louisa

Mary Anna Louisa came to us at 1:11pm on Friday, June 7th
weighing 7lbs 11oz, measuring 20in

It was a sweet, peaceful and swift delivery. We are both healthy and strong, soaking up these heavenly moments of getting to know one another.  Though I feel I've always known her.

Thank you for your thoughts and prayers.
with love, Anna & family

Wednesday, June 05, 2013

New Janome + Anna Maria Projects and a Summer Sale in the Shop!




Anna is excited to have two new projects from the Janome + Anna Maria collaboration to share with you. The Right Turn Bag Project and Pleasant Pathways Shorts are up on the Janome site with free pattern pdfs and highlight videos. Please check them out and be sure to share your finished projects in the Flickr group.

To help get you started on these projects we have tons of fabric on sale in the store! Get your favorite Loulouthi prints at 25%-40% off and a buy one get one free Scrap Bag while you're at it. We are making space in the studio for upcoming releases (of the fabric and baby!!! varieties) so look out for a studio rummage sale with all sorts of one of a kind samples, scratch and dent patterns and lots of other goodies in the coming weeks.

That's all for now :)
-Pierrette


Monday, June 03, 2013

Gifts

mom.and.me.1
mom.and.me.2
mom.and.me.3
mom.and.me.4

My mother was a nurse.  For more than 20 years she took care of newborn babies at the University of Tennessee hospital.  By the time I had Juliana at 19, mom was head nurse of the newborn nursery and gave her first grandchild her first bath there.  In the same nursery where she had rocked thousands of babies, prayed for each one I am certain, stayed awake with them through nightshift after nightshift (so that she could be with her own during the day), assured their new mothers, and even rocked some babies that were born addicted as they died.  I always wondered how you could have a mother that wasn't a nurse.  How did that work?  Didn't you have to be a nurse to put a band-aid on just so, know exactly when to call the doctor and when to stay home, determine whether a fever was just a virus or a bacteria, know by the color of a child's lips if they should go to bed.

What my mother had as much as her gift of love and gift of care, was a gift of humility.  I was first made really aware of this when Juliana was a brand new baby (1992).  I was still living at home, before Jeff and I were married. In the days before she was born, mom had attended a nursing conference that shared new research of how to put a baby to bed..... after decades of putting babies on their tummies, it was time- the experts said- to put them on their backs.  I will never forget the two of us, standing over Juliana's bassinet, staring at her on her back.  Each of us sort of twitching at it.  I could see in my mother's face that it seemed to go against everything that she had ever known.  Yet she was willing to watch with an even closer eye, trusting all she had been taught, trusting her instincts too, but ultimately having the humility to learn something new in the hopes that eventually she could become accustom to what might be even safer still.  She was about nothing if she was not about safety.  But prevailing over all was her faith, and feeling humble or unsure for her simply meant praying more.

I could write forever about her attributes, but in these doses, I am so very focused these past days on what gifts they each were.  In gift, I mean, that they were given to me.  Given to my sister.  Given to my brother. Given to my father.  We now hold them.  They are ours.  I am not a nurse, but I am a mother who learned everything from her.  And the hands that hold all my babies, do so with ease because of my mother and the gifts that she so unselfishly gave to me.  I so often think of how she held newborns, with their back against just one of her long graceful inner forearms, back of their head cradled in her open, reassuring and strong hand, little legs left to do as they wished, little hands always tucked towards each other.... her other hand, rubbing the belly, and how she kept her face only a few inches away, talking, smiling, loving.  It was a thing of beauty.  I feel it in my own hold, and I yearn to feel it any minute as we await this little girl.

Juliana took these pictures of mom and I last summer.  They are becoming an important part of replacing the suffering that is so raw in my mind with her health and her beauty.  No one has ever accused me of looking like my mother, really, I am almost completely my father in visage.  Yet, one of the many gifts of hers I am proud to own is smiling from within.  Which to me is so evident in that last picture of us.  We have how we smile so in common that we look identical.  Thank you, Mama.

And thank each of you for your prayers, your thoughts, your words, spoken, written, or simply thought to yourself.  It does help, and there are few ways to thank you really.  But you should know how it comforts me.  And for all of you who know just what it is to do this part of life, and those who anticipate it one day near or far, I send you my love.

Life is moving.  It is a pace I've never known.  The pace of mourning but also of rejoicing.  It is all so miraculous that it hurts for reasons that are full of light and some that are still dark and low.  I am a little more someone I recognize, but now so physically encumbered with this little one, pressing, and shifting, and threatening her arrival, that I am slow still.  Perhaps the tempo of my heart has risen a bit.  A new baby dress.  A new patchwork cover for the rocker mom bought me 15 years ago for Nicolas. The last few rounds of a knitted romper.  Yes. We are moving. Towards her. 

With so much love, Anna

ps. Pierrette will be taking over much of my posting duties here at the blog for all studio-related posts.  There has been too much exciting and pretty stuff happening to keep you in the dark, so I hope you are looking forward to some goodies, sales and updates here soon.  The joy continues.

Tuesday, May 28, 2013

My Mama

my.beautiful.mama

My beautiful, courageous, Spirit-filled mama, Mary Lynn, breathed her last breath Friday, May 17th at just before 9 in the morning.  Her face aglow in sunlight.  Her hand in mine.  In most ways I have not left that place. That room were I spent so many days at her side.  There are no words. I've written many down, only by hand. For weeks my family and I have been other versions of ourselves.  Our strongest and our weakest versions. I just don't know yet what the difference is between strength or weakness. Or what the steps are to getting back to where I know I will eventually be again. I don't know. It is devastation.  It has not been without Beauty.  Not without Blessing.  They abound in the bitterness, and I sleep each night centered on that radiance and pray for it to never leave me.  Not leave my side.

Pray with me, that the Resplendence of this beautiful woman will stay at my side. It's all I want.  We await her 13th grandchild any day.

We have received much, much, deep love in all forms from so many and it keeps us afloat.  There is too much to say, and trust it will be said.  It is part of myself, and I will become more generous as it suits my fragility.  One day.  And then another.  And another.

love to you and yours, xoxoAnnaMaria

Wednesday, April 24, 2013

Dream

dianthus

It was so windy.  I was preparing to plant something, pink flowers I think, but didn't recognize where I was.  I did so as I would right now, pregnant, in real life.... only scored the ground with a garden fork where I wanted the hole dug, but not doing the digging myself.  Waiting for someone else to do it.  The poked circle in the earth was next to something, I wasn't sure at first.  I heard a whinny from a horse.  Looked up on the horizon to see a small but somewhat threatening Palomino mare staring at me from far away.  Her head low, but eyes fixed on me.  She was extra furry, which indicated her youth.  She charged at me, nearly missing as I ducked to one side.  She charged, but I wasn't entirely afraid. I still felt the need to get out of her way each time. Over and over from all angles she came, one attempt after another.  I thought to get something between myself and her and saw a nearby sapling.  It hardly provided the barricade necessary to keep her from hurting me should she actually trample me the next time, but maybe she would hesitate if the branches distracted her.  I cried for help to my husband.  The desperate kind of cry that you can't make in a dream.  No sound flying from your chords.  Just breath. Pain in your throat from the struggle.

The fear of not being able to make a sound becoming larger than the fear that started you trying.

He woke me up with a rub on the leg and I immediately sat up and said with a fright a mare was charging me, thinking how much she wanted me away from where I was.  Relentless in her pursuit.  He laughed a little and said he heard me trying to get something out in my sleep.  Once he confirmed my attempts for help I remembered that I was planting the flowers next to a grave.

Over coffee, I thought of the only horse that I have ever known, Sadie, my mom's child-hood Quarter Horse.  She was lovely.

I dashed (as much as I am able in my state) through the rain to the car headed for the OB office.  Slow enough to still take notice of the beautiful rows of pink dianthus that are shooting like fireworks in the flower beds after last nights cool, dark rainfall.  As I backed out of the drive, I hit the breaks when I saw in the rear view mirror the sapling that my parents gave to me a few weeks ago from there own Japanese Maple. Potted and waiting to take root in my beds.  Hello young, brave tree.

And I heard her heartbeat today.  Strong, charging. Not unike a mare.  Intent to keep my heart where it needs to be.

Wednesday, April 17, 2013

Linen Lesson No. 2

linen.study.hall  Study Hall Skirt in Ghost Wing & Domestic Cat

Me &  Linen again Ready for more?

Texture:
I have always thought of linen in terms of it's texture- that lovely, woven, toothy quality that makes any color printed on it carry a different depth.  These linens are no different. And part of what makes that texture so pretty is the somewhat inconsistent weave thicknesses that are visible in the light. While they more textured than my quilting cottons, I would not describe them as rough.  The weave is not quite as tight as the quilting cotton, because the threads themselves are a bit thicker and more textured.

If I were going to make a really fitted garment, I might line it with something softer.  I would say that the sheerness of the linen is about the same as the quilting cotton.  Looser fitting garments (including those shown here) should be fine without lining (unless you're really tactile-specific anyway).

linen.socialite Socialite Dress in Flower Circuit & Linen Solid

Weight:
If we're speaking literally on the scale, a yard of linen falls between the quilting cotton and the cotton sateen (home decor).  But in actually thickness between your fingers, it is more similar to the quilting cotton.  For that reason, I've noticed that all of the sewing settings: stitch length, needle size, tension etc. are pretty much identical to what I do when I sew with quilting cotton.

linen.multitasker  Multi Tasker Tote in Ghost Wing & Domestic Cat

Durability:
Linen is well known for it's durability, so it makes a lovely choice for lighter upholstery, slipcovers, bags, pillows, curtains, and more.  I imagine this, in addition the the fabric's width and style, is why some of the retailers are listing it with the home decor goods.  Further, linen does not stretch (like, at all) so it hold's it's shape and is resistant to damage from abrasion. The lack of stretchiness to this fabric makes it SO unbelievably simple to sew with- as in you can barely tell you're on the bias when you're on the bias.  Beyond home decor, the addition of cotton in this blend is what keeps it even more versatile in your sewing projects. Which brings me to drape.... 

linen.artstudent  Art Student Tote (sans outer pockets) in Parenthetical Flight & Pressed Fields

Drape:
It's important to keep in mind that drape, in my opinion, is a bit relative, depending on who is doing the describing, so take my words here as an impression and not law.  I feel that the drape of the linen is somewhat similar to quilting cotton, however after washing where quilting cotton can get a little starchier in my opinion, I think the linen gets slightly more soft and drapey.  It is never going to act like rayon or voile, but it maintains quite a bit of fluidity for a fabric that has as much texture, weight and body as this one does.


linen.all.set  All Set Kids Blouse (modified to dress length) in Ghost Wing & Pressed Fields

linen.kidinthehood  All Set Kids Jacket in Parenthetical Flight & Voile Solids

linen.allset.skirt All Set Kids Skirt in Flower Circuit & Pressed Fields

I can barely think of a limit for the performance of this fabric in my sewing. Except I would probably hesitate to make something densely gathered that would need to drop nicely like from a skirt or an elastic band... but a little gathered poof sleeve?  Yes, just fine. 

We've made quilts, clothes, home decor, embroideries, bags, and pretty much everything- and I have some upholstery and home decor plans of the nursery variety swirling around in the brain too.  There are also some new colors of Linen Solids on the way soon that look gorgeous with this collection.  I'll share some patchwork and embroidery projects soon too!

xoxoAnna

Tuesday, April 16, 2013

Linen Lesson No.1

parenthetical.flight
Parenthetical Flight in Deep

Hiya.  Let's do linen.  First up, I wanted to share a full width view of each of the 5 prints in my Field Study Linen collection (which each come in 3 colorways).  This is especially important when the prints are rather large scale. The images show roughly one full yard, with selvages oriented at left and right side edges.  These linens are 55" wide.

pressed.fields
Pressed Fields in Poppy

ghost.wing
Ghost Wing in Luscious

domestic.cat
Domestic Cat in Coral

flower.circuit
Flower Circuit in Sunny

Thank you so much for all of your questions about the fabric!  I found that they generally fell into one of four categories:  (1) design layout (2) content, care, basics (3) use as far as drape, feel, texture (4) use as far as durability, weight, weave.   I am hoping that the photos above give you plenty of insight into the scale and direction of the prints to help in planning your sewing projects and answer your design layout quesitons.  In many ways, I designed this collection with decor in mind- speaking mainly about scale and color choices, but not because the fabric is exclusively decor in weight or any other aspect.  It is really so very versatile.

wash.n.dry.linen

Let's move on to the next category of content, washing, and caring for these lovelies.

Content:
My linen is 55% linen / 45% cotton.  So take whatever you are familiar with in 100% linen with a grain of cotton.  In other words, the focal features of traditional linen (coolness, sheen, wrinkling (no elasticity), coarseness, lint-free) are tempered, and I would say softened with the addition of some cotton.  Which I think is awesome.

Washing + Drying:
As I like to do, I did a wash test this morning.  3 separate exact yards were cut.  One was left unwashed.  The second was machine washed on a cold delicate cycle with basic detergent and left to air dry for a bit before completing the drying with an iron pressing.  The third was machine washed the same as the second, but then tossed in the dryer on a delicate setting, with low heat until completely dry.

The above photo shows you the length shrinkage results of these processes after all 3 were pressed.  You can see the washed/air+iron dried fabric only lost about 1/4" to 3/8" in length.  But the piece that was washed/dried (even on a low dryer setting) lost about an inch in length.  What the photo does not indicate is the width.... they are just layered staggered to see the different pieces.  But reporting on width shrinkage, none was lost on the piece that was washed/air+iron dried, and only about 1/4" of width was lost on the washed/dried piece.

So prewash or not depending on your uses, whether or not you'll be combining these with other fabrics, and how you intend to continue caring for them.  I think my method will end up being a combo....I will likely pull out of dryer before completely dry and finish it with pressing.  Not because I am worried about the shrinkage as much as the pressing will be a lot easier if the fabric is still damp.  My sense is that almost all of the shrinkage will happen in that first washing, but I don't of course have hard core evidence of that.  I also want to mention that both washed pieces, while they retained the lovely texture of linen, they felt softer and even a little drapey-er after washing and I think the machine dried one just a little more so. 

Next, I'll go over categories 3 & 4, covering drape, feel, texture, uses, durability and so on.  And I'll be doing so with lots of pretty pictures of our linen sewing projects so far (!!!!) Can't wait!

xoxoxAnna

Friday, April 12, 2013

Baby is both on and in the way

baby.on_in.the.way

Seriously took me a second to figure out what that blurry thing was blocking the fabric. Just when I think I can do everything that I normally do, I do it so abnormally...lean in, straight back, shoulders tight, don't fall over, and snap.

Linens are loaded in the shop a little sooner than anticipated, despite any obstructions to the process.  Have a beautiful weekend, and thanks for offering your inquiries and your kindness on my last post.  Can't wait to chat about the new fabs with you next week.

For now I have some sunshine to deal with.
xoxo,Anna

Thursday, April 11, 2013

La La La La Linen

charisma

oil.painting

technicolor

We are all taking deep breath after another here as we unpack the new bolts of Field Study Linen. I always get excited when new fabric arrives. But. This. Stuff. Oh it's heavenly. I will be back to talk more about the properties, wash/wear, as I always do when we welcome a new base cloth. So if you have questions about the linen, please leave them in the comments and I will address them all next week! I'll also share some sewing and stitching (maybe you've noticed my spring banner?) that we've been doing too, for a little inspiration. You guys are going to love this! We will have the shop loaded with all the yardage on Monday morning. The above palettes show digital art for the fabric, and not shots of the fabric itself.  Which only barely do the gorgeous fabrics justice! The three palettes above in order are Charisma, Oil Painting, and Technicolor. more soon, xoxoA

Monday, April 08, 2013

Little Blossoms

springhair
It's really happening.  Spring.  I am in awe at the feel of the air and the smell of newness on the landscape.  Jeff and I took a quick last minute trip to NYC on Thursday.  We each snuck in a work-ish meeting, and both snuck in as many moments with our Juliana as we could.  The weather in the city was gorgeous, and I had a great feeling of disappointment on Friday night after dinner when I realized I had just had my last New York meal before leaving very early Saturday morning.  Though getting home early meant we had a whole weekend with the rest of the brood which included getting a Spring hairdressing on the front porch by my two other girls and also catching a 4ft long snake in the garden who was escorted by the more boyish sort to a nearby creek well away from our property.   I guess Spring happens for snakes too, and they want to get out a bit more.  Eeesh.
oz.moment
While I should have glanced up at the big movie screen to see this shot of my Square Dance fabric appear in Oz the Great and Powerful, I must have been cramming popcorn or Mike & Ikes in my face.  Cuz I missed it.  Thanks to several of you who have emailed to let me know.  Among several little movie and TV moments that my fabric has enjoyed (Footloose remake (snort), Meet the Fockers (double snort), Judy Moody (yay!), Modern Family (double yay) and others) this has to be my proudest.  The color in this film is beyond beautiful, and I applaud their most perfect use of this little panel print.  I glow a little thinking back to sitting in front of the TV every year with my sister and our snacks waiting for the Wizard of Oz to begin.  Remember when you had to wait a whole year?  I miss that.

I hope things are blossoming where you are.
xoxoAM

ps. just noticed after catching up w blog friends that I titled this post the same as Alicia's last, good company and a welcome phrase- little blossoms!!

Monday, April 01, 2013

Really ready (not really)

little.pants

I keep having dreams that I am being put on bed rest.  As someone who has never been put on bed rest, I most likely have an unrealistic (stupid) idea of that being something to actually hope for.  Truth be told I would only enjoy that if I put myself there, and not if I were told to do it.  Like anything, of course.  I think I must be having strong contractions in my sleep that make me have these dreams.  I do that though, have lots of contractions by now, most light, but every now and then a doozy with pressure.  Because I have always done this, I fluctuate between ignoring them, and freaking out over them.

I knit these very, very small pants.  You have my left hand there as perspective on how small these are: so small.  I am a little in love with them.  I happen to actually fall in love with everything I am knitting right now.  I guess because all of it is small and cute, and does not take a very long time.  I joined Ravelry, which is where I found the pattern for these tiny pants.  I actually joined quite a while ago, but I just started spending more time on there since I began knitting, and I already suck at being on Ravelry.  I haven't done anything with it but search and download stuff, which is awesome, and I do have intent to get myself all together over there, and post projects, pics, notes, etc.  It seems like such a very good idea, bc I simply never make note of yarn when I start something, end up forgetting, then can't answer questions to anyone, including me even, so I can't even figure out how to wash it- ha!  Not cool.  Will do it.

My sister is coming today!  Today, like in a few hours!  I am so excited.  The sun is shining, the birds are chirping, I cleaned up the house (sorta), and I think this might even call for a shower and a trip to the grocery store.  A few days ago I was checking out at my local grocery store and the very youngish girl helping me with that was like "wow, is this your first baby?" (Nicolas was standing right next to me, so um, duh, no, not my first baby). And I was like "oh, no not by a long shot (smile-what's the next question)". She was then like "wow, so when are you due?".  I was like "I have two months to go still (here it comes)". She was then, with big eyes and staring at my belly, like "OH, Wow, you seem Really ready".  I just smiled and said "Mm. Yeah. (you seem Really Not ready is what I wanted to say, bc I am getting kinda cranky)."

So yeah.  Hope you had a beautiful weekend.
xoxoAnna

Wednesday, March 20, 2013

Sharing

littleflowers
I can't say how happy it makes me that my collaboration with my friend Natalie & and the team at Alabama Chanin continues. It was several months ago that I first shared our work together, which is so small in comparison to the great expanse of her beautiful collection, but I beam with pride to see the gorgeous garments, knowing that so many hands stitched each and every little delicate flower so intently.  It all feels so good and fortified, especially since I have had the pleasure of wearing a piece myself (which continues to stretch as needed around my belly) for months.

littlefolks.stencil

And now, in classic Alabama kindness, she shares with all of us the opportunity to bypass the investment of many dollars and instead invest much love and work into a piece of our own making and design-but with so much inspiration to get started!  The Little Folks and Little Flowers Stencils are now available in our very own shop as a starting point to any number creative journeys- these are the very same large and durable stencils that the team at AC use to create their garments.  She has also just posted one of her intriguing stitch maps for tips on creating a very embellished landscape of beauty!  (Although I can't get the thought out of my head to use them on a nursery wall!)
little.folks
Finally, I am honored that the Alabama Chanin Journal has (and will be) focused on our collaboration all week, sharing a little something different everyday- today there is even a Greek recipe in my family's honor (blush + yum!).  I was meant to be farther South with them in the studio this week, but life had other plans for us.  We resorted to emails, and some very in depth text messages while she traveled from LA to home, and I cared for some sick kids.  Both of us pontificating on the finer points of keeping things running as moms, and designers.  She is such good company to my heart when we get the chance, and I do soon hope to cook the next Greek studio meal myself for her, perhaps with a baby on the hip.

happy Spring friends!!! xoxoAM

Tuesday, March 19, 2013

Breaking

bela.on.break
The middle four are all home for two weeks of Spring Break.  I have been coming and going, starting and stopping, planning then rearranging plans.  I traveled to my parents house last week to spend some time with them before they headed to Houston to investigate new treatment options for my mama.  My brother and my sister came to do the same.  I think we figured out that it has been about 20+ years since our little Demacopoulos family of 5 has been together - only us together - in one house.  And even longer since the 5 of us have packed into the car to make the drive out to Big Ed's Pizza, where daddy now carefully guards the red pepper shaker to prevent my brother from covertly unscrewing the lid.  It was so good to be together.  So, so good.  Much laughing, card playing, handwork and smokey scotch too.  You can likely sort out who did what.  This week my Eleni, Roman and I are getting over a little bug which put us all in bed with fevers and yuckies.  It didn't keep me down too long, but you know how your brain frets a little when you take away a few days from plans you had made.

Walking down the hall to check on snoozing Eleni yesterday I was ushered by the lazy sounds of a radio playing softly. Arrived to catch this glimpse of Isabela stretched across her bed managing the perfect Spring Break afternoon with a ziploc of potato chips, a sketchbook, markers, and pajama pants.  Her little sister heavy breathing through some much needed sleep in the next bed.  I aspire to have such simplicity, and to remember to just take what's right there in front of you and mess around in it.  Loving it.  Later that night I read Twelve Dancing Princesses to Eleni while she took another rest in the living room.  I have forgotten that I can still read to her now that she is such a good reader herself.  Why did I forget?  We both loved it so much.

back with more going-ons tomorrow, xoxoAnna

Wednesday, March 06, 2013

Patchwork for Breakfast

patchwork.for.breakfast
I haven't shot Isabela's quilt up on the design wall yet because I am still working on some significant applique elements that will contribute a lot to the final look of the composition.  And also it's been dang dark and cold around here, with almost constant cloud cover. (Where are you Spring?  It's safe to some out now.)
this.n.that.patch
So rather I've been spreading this out on the dining room table to finish up those elements each morning after the house gets quiet.  As you can see above, the fabric assortment is almost identical to Eleni's, and there are several "orphan" blocks used as well.  While it's not on a grid like Eleni's is, it does employ lots of squarish details, so it calls on a different sense of order than Nicolas's does even though they are both mostly improv. (You might just spy a bit of my upcoming Linen collection up there!)
25.patch.of.vintage
For Isabela, my old soul, I decided to dig into my stash of vintage scraps.  Several years ago I bought a bunch of ziplocs filled with unsewn quilt pieces from the flea market.  I've used some semi-finished Dresden plates from them in other projects, but (above) I finally made use of these tiny 2 1/4" squares that were cut and pinned together by print when I bought them.  Oh, they are so sweet- those tiny prints!  So a 25-patch was born out of them and wrapped with some borders of Denyse's fabrics.
patchwork.for.breakfast.2
From this side you can see a bit more of the "open fields" of larger more subtle blocks that I used to provide a background for a group of growing stemmed flowers.  I am using vintage half Dresden plates as the flower petals- the real reason that I only used half to begin with, is because the hand piecing on them was imperfect enough that they just wouldn't lay flat.  So separating them allowed them to lay however they needed to lay to be flat, whether it was a perfect semi-circle not. 
vintage.dresden
Here you can see the one that is not on a stem, but peeking sideways out from behind another piece.  To go ahead and include this to-be-appliqued piece into the patchwork, I simple turned the edges of the applique towards their wrong side by 1/4" only where they are included in the patchwork seam.  So the straight patchwork seam is the only thing holding it in place until I have the applique finished.
bias.stems
For the stemmed flowers, I cut long 1 1/2" wide strips of bias and pinned them in place taking some subtle curves with just a gentle stretch.  Then I machine baste them down 1/4" from their edges.  This prevents me from having to use any pins during the applique process, and the piece stays entirely secure as I only clip out a few inches of basting at a time right before I turn the edge down and applique in place.  And an additional bonus to this process is that the basting provides a lovely perforation of needle holes in both the applique piece and the foundation, so that you can see just where to fold it under and just where to sew it onto the foundation.  You can see above that the left side of the stem is already appliqued while the right side is waiting to have the basting clipped and its edge turned under and sewn in place.

So that's where this one is.  It's been fun to dissect them with you.  It feels a bit like being in front of a classroom rambling on about my process, which has really become a favorite thing to do- especially when I see more nodding heads than confused looks.

Nodding with me?
I'll share the finished top soon. xoxoAnna

Thursday, February 28, 2013

Composing a Quilt: for Eleni

elenis.quilt
So.  The girls.  For Eleni and Bela (who are roommates too), I have been collecting fabrics for over a year.  I just happen to begin this one with the idea of it being a grid layout of approximately 12" blocks but I wanted to take a lot of liberties within those squares.  Some are tiny patches, some strips, some 9 patch, and some whole 12" squares of fabric. I had just finished working on Nicolas's quilt when I began this one.  It seems I was a bit more in the mood for order, most likely because I had so carefully chosen a palette over a long period of time and I wanted to use it in a very effective way.  This can be a challenge when there are so very many colors.

I worked from the center out, literally beginning by joining 4 tiny 9-patches into a single 12" block.  I then let those colors dictate a certain collection of 9 more fabrics, which you can see here.  With those I made six 9-patch blocks that are all exactly the same.  They form the tall cross in the quilt that has the tiny 36-patch at it's center.  At every step out towards the edges I made decisions with careful looking at what was happening so far, but with very little thought of what would happen next.  I think this is my personal favorite way to work.  It's like painting.  A little here, then look.  A little more there, then tea.  Still more, sit and ponder.  But I did commit to sewing every time I saw something I liked.  Like a rule I set for myself.
composing.color
Something that I find really helpful and enjoyable is to let the fabrics them selves guide some of my decisions, and I mean more than just the color assortment.  The forms themselves can inspire much.  As with the boys' quilts, the fabrics are almost all my own or Denyse's with a few choice Kokkas thrown in.  That particular Kokka piece on the right above not only captured almost the entire palette of the quilt, but the print itself feels like a patchwork so I left it in large whole blocks.  I considered the direction I would orient the piece for a while though, in other words, what colored edge of the piece would be adjacent to what other piece of the quilt.  When you have a single piece that varies so much within the print, this becomes pretty important, and that decision can really take the whole composition in various directions.  The larger, patchy star shapes in the print itself inspired the half wheels that are appliqued at the right and left of center, as well as the sets of 3 half Dresden plates appliqued top and bottom.

elenis.quilt.detail

Setting these half wheels at the right and left of the cross bars helps to further the medallion like quality of the composition.  Eventually the four 1/4 wheels set further out also echo the growing center.  I enjoyed creating this piece immensely.  Even though it employs a symmetrical balance of color and fabric, I see a little something different every time I look at it.  It's also the perfect home for the little bits of Bohemian that I still have, which the girls begged to have in their quilts.

Naturally, I obliged, for my sweet, exuberant -and very centered- nine-year-old Eleni.

xoxo,AM

Wednesday, February 27, 2013

Sewing (and stitching) RED!

target.practice
I am interrupting my quilt top sharing this week to paint the blog red!  I am so proud to be a part of a lovely book by Laura Zander called Sew Red.  It's the follow-up title to Knit Red, both of which remind us to take care of our hearts, and send a portion of their proceeds to help fund the Foundation for the National Institutes of Health in support of Heart Truth.  My project contribution is called "Target Practice" which offers a patchy-style belt that surrounds an embroidery pattern that I completed using red crewel wool a cream background. 
sew.red.cover
In addition to my project there are loads of lovely garment, accessory, quilt and decor sewing projects by many of my friends in the industry.  Also of course a whole bunch of talented people I don't know!  Additionally each designer offers a little personal experience whether it be a heart healthy recipe or a way in which heart disease has touched their lives, as it has mine with the loss of my maternal grandmother years ago.  I think she would have loved my project.

It's an all around good book, put together by good people who are doing good.
Take care of your heart! xoxo, Anna

*Sew Red by Laura Zander, published by Sixth&Spring Books. Photo by Rose Callahan copyright © 2012 by Sixth&Spring Books/Soho Publishing. Used by permission

Tuesday, February 26, 2013

Composing a Quilt: for Nicolas

Nicos.Quilt

In Nicolas's quilt you can see the same general assortment of fabrics as Joseph's.  I actually had this one somewhat drawn out in sketch form before I started.  I knew that I wanted it to be columnar as well as have those columns vary in width from just skinny strips to wider rectangles of strip patchwork. I also decided to make all strip-pieced elements that were included sit at an angle.  So I used my quilting rulers to cut them on a bias angle from the original patchwork yardage that I mentioned yesterday.  This did create waste of course, but I have a lot of lovely scraps for other projects and I also shared a whole bunch of the scraps with my class at QuiltCon.  They seemed to like that.  I like being a scrap fairy when I visit classes.

What came about that wasn't exactly planned was the use of two "orphan blocks" and various larger rectangles of a single fabric print here and there.  You can see my first attempt at the "Flight Map" block (pattern coming out next month) in the upper left quadrant.  Then in the mid-right area you can see a stray patchwork feather.  This was also a test piece as I developed that block.  Both shared a sensibility with what I was working on in this quilt so they seemed to just work.  I also like them as more intensive and deliberate areas of the composition that might feel a little less expected and a delight when discovered.

The larger rectangles of single prints came about simply as I laid out the quilt on the design wall in order to balance color and give the eye a resting spot.  I may still yet float a flying goose here or there on top of some of these more simple areas, or perhaps even half-spheres peeking out from some more solid edges.... not sure yet. I like that even once finished, it will have an open-ended work-in-progress feel to it.  If a focused design balances my Joseph, then something with less structure and a little less rigidity might well balance my Nico's very focused, very intense nature.  Easy, boy.

These are not the best photos as it's been cloudy and they've just been shot up on the wall, still a little wiggley and wrinkley from unpacking them.

Hope you're having a good Tuesday.  The little lady in the womb is so kicky today it's almost making me dizzy.  Her movements are feeling so coordinated now, and she seems to just really like the boogie and completely flipping over- which she should enjoy while she can, we're both running out of room. Can't believe I'm beginning the last trimester.  Unless of course I look in the mirror.
xoxoAM

Monday, February 25, 2013

Composing a Quilt: for Joseph

Josephs.Quilt

QuiltCon was absolutely perfect and memorable.  Jeff and I so enjoyed getting away on our own for a few days and kicking around Austin with no plans for one whole day and a few nights too after teaching wrapped up.  Spending time with favorite friends is always welcome too, but it seems there weren't enough nights to see them all.  And teaching!  What a lovely bunch of attendees!  So eager to try something new and everyone noticed that there was just an all around good vibe about the event- thanks, of course, to wonderful coordination by my friend Alissa & her gang of modern quilters.  Really perfect and can't wait to go again next year.

I might have IGed as much food as I did quilts, but they were both so good I couldn't resist.  As promised though, I wanted to begin sharing all of the new quilt tops I have been working on.  The first is this quilt for my Joseph (13).  All the tops I've done for the kids are around 68"ish by 88"ish.  So twin bed-ish.  You will likely recognize the feather design but of course these are pieced and appliqued- well most are appliqued, some are just basted and waiting to be finished.  I love how this one turned out.  Knowing that I was going to be making quilts for both Joseph and Nicolas, who share a room, I set out to use the same fabrics generally but completely different patchwork styles.

striped.feathers

I began work for both quilts by collecting all that I wanted to use which was a lot of my own fabric, Denyse's and several other plaids, geometrics and so forth.  Then I cut them all in strips crosswise from selvage to selvage varying the width from about 1.5" to 3". I then sewed them together on their lengths for about 6 yards of striped fabric- which took a long time, but good to sorta just work on mindlessly for on and off.  From these I cut the feather templates and made 18 feathers.  I knew from the beginning that I would do something almost medallion like and symmetrical.

applique.feathers

Once half of the feathers were appliqued in place on the center foundation fabric, I decided to set the next row farther from the center and staggered, so I needed to deal with the border around the center which the second row of feathers would float over.  I was originally planning to use rectangles cut from the strip pieced fabric, but decided that didn't play enough of a difference to the feathers.  So instead, I used some leftover strips and patchworked them onto the center in log cabin fashion.  I had a look at it all up on the design wall before making a commitment.  It became visually effective to arrange the concentric strips from more intense, deeper colors out towards more pale and softer tones at the outer edges.  So now, just to finish the hand applique on all the feathers and I am also getting the urge to add a small compass-like piece at the very center.  My Joseph is so exuberant and has a tendency to be an explorer, if not a little wander-y.  It just felt right to give him a focused design as a balance. 

Knowing who you are making for, and everything about them, adds quite the layer of inspiration and joy to the process.

Back tomorrow with a quilt for my Nicolas.
xo,Anna

Tuesday, February 19, 2013

A patching we will go

aflutter

Hi you people.  I am getting ready to pack up a wholotta patchwork and head to Austin with my honey.  With the help of my pal Brittney I have finished up 5 new quilt tops in the past 10 days.  It has honestly been the most fun I have had in a long time.  Some of them I started a while ago, all of them have had their fabrics stacked and waiting for months.  Four of them are for various children of mine. 

There is seldom a large chunk of time for me that is devoted to making for the sake of making alone.  While I will be teaching from them at QuiltCon this week, there is no pattern or rhyme or reason to any of them, just purely going for it.  Next week, once we're back I will share one with you every day and talk about inspirations, ideas, etc., okay? If you are going to QuiltCon, my lecture is Friday, 1:00-1:50pm, and I will also be hanging out at the Stitch Lab booth on Saturday morning, 9:00-10:00am, so please come and say hello.  Both of the classes that I am teaching have been sold out, but otherwise you can generally find me looking a little roundish and also looking for fish tacos.

The above little number is the bonus pillow project that comes with my Fields Aflutter embroidery pattern.  I have been meaning to get a group of photos for that over here forever, so that'll be real soonish.

fluttermoth

I started this moth embroidery in the center over the summer while I was accompanying my mom to radiation treatment everyday for several weeks.  Isn't it always amazing the amount of emotion you can stitch into something?  This will always be particularly special to me for that reason.  I am happy to see this moth surround by some patchwork love now.

More patchwork love is launching on CreativeBug tomorrow with the first of my quilting classes (yippee) along with 8 more workshops from talents such as Kaffe, Heather, Liza and Sue.  Such good company!!!

Take care and follow me to Austin on IG, lots of love, xoxoxAM